Race as Spiritual Technology:
Marxism has been fermenting for long enough in the more well-concealed crooks of windows of the cathedral, generally out of eyeshot for all but the tallest, and of absolutely no merit during the putrefactio stage: like so many hermetically-sealed vessels of cheap solipisitic, Kool-Aid-imitative substance, those who attempted to taste the prison hooch before enough time had elapsed, digging up the orchard promptly found themselves catching brewer’s sickness. Other than those lost their minds, faith, or life if they weren’t lucky enough to come back akathesiac, catatonic-neurotic husks of the men they were to their families, busted road signs to their home towns down so many stretches of politically contested highway, these remnants of the vanguard, finalists in the ceremonial rites of the intoxication olympics, strive to deliver, uninterrupted pieces of time from the outer rim, indivisible in and of themselves and integral only as virtual energy, must like the conservation of the angular velocity of an orbiting electron briefly excited is suddenly apparently replaced (if we’re being crudely mechanical) In reality, there were three things, the beginning, middle, and end of an indivisible moment: excitation, acceleration, sudden-indelible-intensive-return-transformation.
Hip-hop is, ultimately an undertaking on the order of magnitude of permitting and preventing, affirming and denying holocausts
If the invisible hand (the real one, the grabby junky one that’s not so good with money) can be made to loosen its grip on the central form on the potters wheel. But know that, as long as the matter is sufficiently fluid, lassitude of grip can only serve to keep (You/The Author/The Artist) utterly from deciding, where this matter will not go.
Only after relapse is prevented, discipline elapses sufficiently; now the moment of inertia of the incipient res can be roughly fixed in the sense of the artist. Fluid must be fully integrated into the medium for catastrophe to subside. Operations can not be performed in a state of catastrophe. Substance can finally learn how to begin to express its new trust to the author, in his essential motivation as the author to catch her as gravity begins to exert an entirely different effect, as the short term collapses into the present and the concrete future stretches into teleovirtual conformity with the attractor eidos.
